By Sophokles,Thomas A. Schmitz
Den Mythos davon, dass Orestes und Elektra für ihren getöteten Vater Agamemnon Rache nehmen und seine Mörderin, ihre eigene Mutter Klytaimestra, umbringen, haben die drei berühmtesten attischen Tragiker – Aischylos, Sophokles und Euripides – auf die Bühne gebracht. Sophokles konzentriert sich in seinem Stück vor allem auf das Leid der isoliert bei ihrer verhassten Mutter lebenden Elektra. Seine Tragödie hat besonders seit dem 19. Jahrhundert zahlreiche moderne Dramatiker (wie etwa Hugo von Hofmannsthal, Eugene O’Neill, Jean Giraudoux oder Jean-Paul Sartre) zu Neufassungen inspiriert. Der vorliegende Kommentar erschließt den textual content für moderne Leser. Er legt besonderes Gewicht darauf, die Wirkung des Bühnengeschehens auf den Zuschauer sowie die Bezüge zur modernen Rezeption des Textes zu erläutern.
By Renaud Gagné,Marianne Hopman
By N. Elias
By Warren E. Edminster
By Dominique Battles
By Christoph Flüeler,Lidia Lanza,Marco Toste
This quantity of convention lawsuits represents the 1st exam of the paintings of Peter of Auvergne as a complete. moreover, biographical info has been interpreted in new methods. a few of the contributions current study on facets of his commentaries at the logical, typical philosophical, metaphysical, moral, and political works of Aristotle, in addition to elements of his theological works. A comparability with contemporaneous authors demonstrates that Peter provides a completely special line of idea and that prior classifications has to be differentiated or maybe discarded. additionally, Peter develops an miraculous background of reception with a few of his works that endured into early modernity.
By George T. Calofonos,Christine Angelidi
By Ann M. Gomez-Bravo
Textual Agency examines the big proliferation of poetic texts in fifteenth-century Spain, targeting the $64000 but little-known cancionero poetry – the most important poetic corpus of the eu heart a while. Ana M. Gómez-Bravo situates this cultural creation inside its social, political, and fabric contexts. She areas the various varieties of rfile construction fostered through a moving political and concrete version along the increase in literacy and entry to interpreting fabrics and spaces.
At the middle of the publication lies an exam of either the fabrics of writing and the way human brokers used and reworked them, giving approach to a textual organization that pertains not just to writers, yet to the inscribed paper. Gómez-Bravo additionally explores how authorial and textual corporation have been competing forces in the course of an period marked through the establishment of the Inquisition, the appearance of the absolutist nation, the expansion of towns, and the structure of the Spanish nation.
By Simon Gaunt
to Camelot on a supernatural funerary boat with a letter on her breast explaining how her unrequited love for Lancelot killed her? Medieval literature is interested by the concept love could be a deadly disease. certainly, it truly is often recommended that real love calls for sacrifice, you'll want to be ready
to die for, from, and in love. Love, in different phrases, is represented, occasionally explicitly, as a sort of martyrdom, a concept that's many times strengthened by means of courtly literature's borrowing of spiritual vocabulary and imagery. The paradigm of the martyr to like has after all remained compelling within the early sleek and glossy period.
This ebook seeks to discover what's at stake in medieval literature's preoccupation with love's martyrdom. trained through smooth theoretical ways, fairly Lacanian psychoanalysis and Jacques Derrida's paintings on ethics, it deals new readings of quite a lot of French and Occitan courtly texts from the 12th and 13th centuries, and argues new secular ethics of hope emerges from courtly literature due to its fascination with loss of life. This publication additionally examines the interplay
between lyric and romance in courtly literary tradition and indicates how courtly literature's predilection for sacrificial wish imposes a repressive sex-gender process that can then be subverted by way of fictional girls and queers who both fail to die on cue, or who die in complex and disruptive