Literary Medieval Criticism

Hölderlin’s Dionysiac Poetry: The Terrifying-Exciting by Lucas Murrey

By Lucas Murrey

This booklet casts new mild at the paintings of the German poet Friedrich Hölderlin (1770 – 1843), and his translations of Greek tragedy. It exhibits Hölderlin’s poetry is exclusive inside Western literature (and artwork) because it retrieves the socio-politics of a Dionysiac space-time and language to problem the estrangement of people from nature and one other.

In this e-book, writer Lucas Murrey provides a brand new photograph of historical Greece, noting that money emerged and quickly constructed there within the 6th century B.C. This act of monetization introduced with it an idea of tragedy: money-tyrants suffering opposed to the forces of earth and neighborhood who succumb to person isolation, blindness and demise. As Murrey issues out, Hölderlin (unconsciously) retrieves the conflict among funds, nature and group and creatively applies its classes to our time.

But Hölderlin’s poetry not just adapts tragedy to query the limitless “machine strategy” of “a smart race” of money-tyrants. It additionally attracts awareness to Greece’s warnings in regards to the mortal probability of the eyes in fantasy, cult and theatre. This monograph hence introduces an urgently wanted imaginative and prescient not just of Hölderlin hymns, but in addition the relevance of disciplines as diversified as Literary reports, Philosophy, Psychology (Psychoanalysis) in addition to spiritual and visible (Media) reviews to our current concern, the place a perilous visible tradition, via its aid of the unlimitedness of cash, is harming our relation to nature and one another.

“Here triumphs a temperament guided by means of historic faith and that excavates, in Hölderlin’s translations, the crucial god Dionysus of Greek tragedy.”

“Lucas Murrey stocks together with his topic, Hölderlin, a imaginative and prescient of the Greeks as bringing anything very important into our bad international, a imaginative and prescient of which few classical students are actually capable.”
—Richard Seaford, writer of Money and the Early Greek Mind and Dionysus.

“Here triumphs a temperament guided by way of historic faith and that excavates, in Hölderlin’s translations, the relevant god Dionysus of Greek tragedy.”
—Bernhard Böschenstein, writer of “Frucht des Gewitters”. Zu Hölderlins Dionysos als Gott der Revolution and Paul Celan: Der Meridian.

“Lucas Murrey takes the god of tragedy, Dionysus, eventually critical as a manifestation of the ecstatic scream of liberation and visible ideas of dissolution: he pleasantly portrays Hölderlin’s idiosyncratic poetic sympathy.”
—Anton Bierl, writer of Der Chor in der Alten Komödie. Ritual and Performativität

“Hölderlin so much absolutely deserved this kind of book.”
—Jean-François Kervégan, writer of Que faire de Carl Schmitt?

“…fascinating material…”
—Noam Chomsky, writer of Media Control and Nuclear warfare and Environmental Catastrophe.

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