By Ariane Mildenberg
Braiding jointly strands of literary, phenomenological and paintings old mirrored image, Modernism and Phenomenology explores the ways that modernist writers and artists go back us to ask yourself earlier than the area. Taking such ask yourself because the intent for phenomenology itself, and hard extant perspectives of modernism that uphold a mind-world competition rooted in Cartesian inspiration, the booklet considers the paintings of modernists who, faraway from presenting excellent, complete types for all times and the self, include uncooked and semi-chaotic adventure. shut readings of works by means of Paul Cézanne, Gertrude Stein, Franz Kafka, Gerard Manley Hopkins, Wallace Stevens, Paul Klee, and Virginia Woolf discover how modernist texts and artistic endeavors demonstrate a deep-rooted openness to the realm that turns us into "perpetual beginners." Pushing again opposed to rules of modernism as fragmentation or groundlessness, Mildenberg argues that this openness is much less an indication of powerlessness and deferred that means than of the very provisionality of experience.
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